Lillian Chen
thesis statement
I used to think that the feeling of holding my breath every week was normal. Wasn’t that just the grind? I would have this foggy, out of body experience as I watched myself pretend to be happy, to seem okay. Things always seem fine when it’s all you know. But, there was a new lightness in my shoulders when I was finally able to admit to myself that I was the reason for my unhappiness, that there was no reason to pretend for anyone else.
Through this journal, I began to fill the gaps of my childhood that I was so used to numbing away. Slowly, the corners of my mind that were shrouded in mystery came to life as I put pen to paper.
The tailored and draped silhouettes are drawn directly from specific moments of this emotional journey. Whether that is a tailored look that depicts how I used to dress in an attempt to belong, or the draped look that illustrates the lightness and openness one feels after coming out of the fog.
Bio
Lillian Chen is a storyteller who abstracts her personal narrative from the past, present, and forgotten. She draws inspiration directly from a lifetime of kept journals and memorabilia and is continuously finding ways of writing with materiality, leading her to the exploration of fabric manipulation, knitting, weaving, film, drawing and writing. Her meditative design process allows her once suppressed inner voice to speak for a change and pulls the deep and subtle moments of her childhood upbringings, buried trauma and suppressed emotions to inform her designs and silhouettes. With her walls let down, Lillian’s designs allow for an effortless and raw display of her story. Through her work, she invites others to embrace the forgotten and buried and connect with their true self.